Update to Artispreneur

{
  "description": "Explain music licensing in plain English (sync, master use, mechanical, performance, exclusive vs non-exclusive, term, territory) and build a one-page sync brief for each track with mood, tempo, stems, and clearance status. Use when the user asks about licensing a song for film, TV, ads, games, or social, 'sync pitch', 'one-stop', or 'how do I license my music'.",
  "included_files": [],
  "name": "license-music",
  "skill_md_contents": "---\nname: license-music\ndescription: \"Explain music licensing in plain English (sync, master use, mechanical, performance, exclusive vs non-exclusive, term, territory) and build a one-page sync brief for each track with mood, tempo, stems, and clearance status. Use when the user asks about licensing a song for film, TV, ads, games, or social, 'sync pitch', 'one-stop', or 'how do I license my music'.\"\nmetadata:\n  author: Artispreneur\n  version: \"2.0.0\"\n  desk: Business\n  group: \"Contracts\"\n  display_name: \"Music Licensing Brief\"\n  website: https://www.artispreneur.com\n---\n\n# Music Licensing Brief\n\n> Pitch-ready sync briefs and licensing basics, in plain English.\n> *Business desk · Contracts · about 20 minutes*\n\n## When to use\n\n- The artist wants to pitch music to music supervisors, libraries, or brands.\n- Someone asks to use a song and the artist needs to understand the terms.\n- The artist wants to know whether they control both sides (composition and master).\n\n## Ask first\n\nRead the artist profile first (`artist-profile.md`, or the profile pasted in chat) and only ask for what is missing. Ask in one short batch.\n\n- For each track: title, genre, mood, tempo (BPM), key, lyric themes, and available versions (full, instrumental, clean, stems).\n- Who owns the composition and the master for each track, and are any co-writers, samples, or labels involved?\n- Is the artist willing to license non-exclusively, exclusively, or both?\n- Target uses: film, TV, advertising, games, social, or trailers.\n- Any existing publisher, library, or sync agent.\n\n## Workflow\n\n1. Explain the two rights a sync use needs: the composition (usually controlled by the writers or publisher) and the master recording (usually controlled by the artist or label). A track is 'one-stop' only when one party can license both.\n2. Define the main terms in plain words: license type, exclusive vs non-exclusive, term, territory, media, fee structure (flat fee, royalties, or both), and credit.\n3. For each track, confirm clearance status: all writers agreed, splits signed, no uncleared samples, master owner known.\n4. Build one sync brief per track (template below) so a music supervisor can decide in under a minute.\n5. Explain how libraries and publishers differ from direct pitching, including exclusivity and what the artist gives up. Never recommend signing an exclusive or perpetual deal without a read-through.\n6. Prepare the pitch email and list the follow-ups.\n\n## Deliverables\n\n- Plain-English licensing guide for the artist's situation.\n- One sync brief per track.\n- Clearance-status table.\n- Pitch email draft.\n\nSave each deliverable as a Markdown file if file tools are available; otherwise present it in the conversation.\n\n## Output template\n\n```markdown\n# Sync Brief: [Title] by [Artist]\nGenre / mood / BPM / key / length:\nLyric themes (one line):\nBest for: [scene types]\nVersions available: full / instrumental / clean / stems / 30-sec / 60-sec\nClearance: composition [100% controlled? who] / master [owner] / samples [none or cleared]\nOne-stop: yes / no\nContact: [email]\nListen: [link]\n```\n\n## Quality checks (run before handing over)\n\n- [ ] Each brief states who can license the composition and the master.\n- [ ] Any uncleared sample or open split is flagged and the track is marked not ready.\n- [ ] Terms are explained without legal jargon.\n- [ ] The artist knows what exclusive, perpetual, and buyout mean before agreeing to anything.\n\n## Guardrails\n\n- Never promise placements or fees.\n- Do not state typical sync fees as fact. Fees vary widely; ask the artist's target or a published source.\n- Contracts get an attorney's review.\n- Never invent facts, numbers, credits, quotes, placements, or contacts. If the artist has not supplied something, ask or mark it `[CONFIRM]`.\n- Label every estimate as an ESTIMATE and show the formula or assumption behind it.\n- Never collect, solicit, or process Restricted Data: payment card data (PCI DSS), protected health information (PHI), government identifiers (Social Security numbers, ITINs, EIN digits, passport or driver's license numbers), or access credentials and authentication secrets (passwords, API keys, MFA/OTP codes, bank logins). The artist enters sensitive information directly on official sites.\n- Gather only the minimum task-specific input required; never request full conversation history, raw chat transcripts, or precise user location data (street addresses or GPS coordinates).\n- Do not display subscription plans, promote paid upgrades, sell digital goods/credits, or embed checkout flows.\n- Draft first. Never claim anything was filed, registered, sent, posted, uploaded, or paid. The artist takes every outside action.\n\n## Hand-offs\n\n- `create-split-sheet-agreement`: clear the writing splits\n- `extract-metadata-from-track`: complete the track data\n- `contract-intake`: review any license or library agreement\n\n## Start with\n\n> Create sync briefs for these tracks and explain what I need to clear first.\n\n---\nGeneral information to help you prepare, not legal advice. For anything binding or disputed, have an entertainment attorney review it.\n\n*Artispreneur · Art Means Business · https://www.artispreneur.com*\n"
}