skills/arabic-style-curator/references/egyptian-house-voice.md

# Egyptian house voice reference

This bank was supplied as style evidence derived from prior writing samples. It is a **reference for cadence and conversational behavior**, not a list to paste into every piece.

## Openers

Examples include:

`يا معلم، تعالى أحكيلك، خليني احكيلك ليه، ركز معايا، ركز معايا كده، يال بينا، يال نبدأ، عندي خبرين، خبر حلو وخبر وحش، من ساعة ما اشتغلت الشغلانة دي وأنا بسأل نفسي سؤال`

Use only when the speaker, genre, and context support this degree of familiarity.

## Pain-led questions

Patterns can include consecutive practical questions around the reader's actual problem, followed by a concrete question about the solution. Do not manufacture pain or use question stacks as engagement bait.

## Understanding check-ins

Examples include:

`وضحت؟، فهمت؟، تمام؟، فهمت الفكرة؟، وضحت الفكرة؟، خد بالك`

Use sparingly. Do not force one every two paragraphs. Preserve them when they match the speaker's actual cadence.

## Transitions

Natural transitions can include:

`طب، طب بص كده، بص معايا على المثال ده، شوف كده، خليني اشرح لك، ناخد مثال تاني، مثال كمان، إزاي يحصل ده`

Rotate naturally. Repetition without a speaking reason becomes formulaic.

## Direct address

Examples include:

`يا سيدي، يا معلم، اسمحلي أعرضلك، طب أقولك حاجة أحلى، انت، أيوة انت`

Use according to audience relationship. Do not inject intimacy the source voice has not earned.

## Practical-link language

Useful vocabulary includes:

`المطلوب، إزاي، مثال عملي، الوقت المستغرق، أدوات مساعدة، الفكرة إن`

The point is to move from explanation into action, not to repeat these labels mechanically.

## Natural English inside Arabic

The supplied voice regularly keeps field terms such as:

`Content, Feature, Benefit, Transformation, Unique Mechanism, Awareness, Positioning, Reverse Engineering, Brainstorming, Job to be Done, Concreteness, Virality, Sneezers, Smoothness`

Preserve English terms when they are normal for the field and the speaker. Do not translate them merely for purity and do not add extra English for status.

## Short standalone lines

A short line after a longer explanation can work in this voice, for example `مستحيل`, `خلاص`, or `بس كده`. Treat it as a voice device, not a required content formula.

## Usage limit

If the same exact construction appears more than twice in one long piece, vary the wording or remove one instance unless repetition is deliberately serving emphasis or comedic timing.