skills/ai-film-pipeline-master/references/phase-02-screenplay-dialogue/LOOKUP-sub.md

# `sub.` — 56 cards

One family of cards from this phase. The whole phase is in [`LOOKUP.md`](LOOKUP.md); what each file is for is in [`INDEX.md`](INDEX.md).

| Card id | Title | File |
| :--- | :--- | :--- |
| `sub.across_languages` | Subtext Across a Language Barrier | [cat-sub.md](cat-sub.md) |
| `sub.actors_room` | The Room You Leave for the Actor | [cat-sub-2.md](cat-sub-2.md) |
| `sub.address_form` | What They Call Each Other | [cat-sub-2.md](cat-sub-2.md) |
| `sub.audience_knows_first` | Let the Audience In First | [cat-sub.md](cat-sub.md) |
| `sub.behaviour_contradicts` | Behaviour That Contradicts the Line | [cat-sub.md](cat-sub.md) |
| `sub.buried_subtext` | Subtext Nobody Can Find | [cat-sub.md](cat-sub.md) |
| `sub.circled_word` | The Circled Word | [cat-sub.md](cat-sub.md) |
| `sub.comic_politeness` | The Polite Surface | [cat-sub.md](cat-sub.md) |
| `sub.confusion_as_depth` | Confusion Mistaken for Depth | [cat-sub.md](cat-sub.md) |
| `sub.consumption_tell` | What They Eat, Wear and Buy | [cat-sub-2.md](cat-sub-2.md) |
| `sub.conversion_beat` | The Beat That Converts Subtext to Text | [cat-sub-2.md](cat-sub-2.md) |
| `sub.devised_subtext` | Subtext Built in the Room | [cat-sub-2.md](cat-sub-2.md) |
| `sub.direct_address` | Monologue and Direct Address | [cat-sub-2.md](cat-sub-2.md) |
| `sub.documentary_subject` | The Subject Who Will Not Say It | [cat-sub-2.md](cat-sub-2.md) |
| `sub.draft_subtext_audit` | The Subtext Audit | [cat-sub.md](cat-sub.md) |
| `sub.dual_audience` | The Two-Audience Layer | [cat-sub.md](cat-sub.md) |
| `sub.erotic_code` | Sexual Subtext and Its Codes | [cat-sub-2.md](cat-sub-2.md) |
| `sub.fight_as_argument` | The Fight as the Argument They Couldn't Have | [cat-sub-2.md](cat-sub-2.md) |
| `sub.genre_vehicle` | The Genre Vehicle | [cat-sub-2.md](cat-sub-2.md) |
| `sub.graded_pause` | Grading the Gap | [cat-sub.md](cat-sub.md) |
| `sub.group_comedy` | Subtext in the Group Comedy | [cat-sub-2.md](cat-sub-2.md) |
| `sub.hands_business` | What the Hands Are Doing | [cat-sub.md](cat-sub.md) |
| `sub.high_context_indirection` | High-Context Indirection | [cat-sub.md](cat-sub.md) |
| `sub.iceberg_omission` | The Iceberg | [cat-sub.md](cat-sub.md) |
| `sub.interiority_spoken` | The Interiority Said Out Loud | [cat-sub-2.md](cat-sub-2.md) |
| `sub.interrogation` | Subtext Under Interrogation | [cat-sub-2.md](cat-sub-2.md) |
| `sub.kid_readable_subtext` | Subtext a Child Can Actually Read | [cat-sub.md](cat-sub.md) |
| `sub.mere_withholding` | Withholding Wearing Subtext's Coat | [cat-sub.md](cat-sub.md) |
| `sub.narrator_self_deception` | The Narrator Who Believes Himself | [cat-sub.md](cat-sub.md) |
| `sub.no_parentheticals` | Do Not Write the Performance | [cat-sub.md](cat-sub.md) |
| `sub.object_as_confession` | The Object as Confession | [cat-sub.md](cat-sub.md) |
| `sub.pause_placement` | Where the Pause Goes | [cat-sub.md](cat-sub.md) |
| `sub.power_gradient` | Power as Generator | [cat-sub.md](cat-sub.md) |
| `sub.pressure_before_technique` | Name the Pressure Before the Technique | [cat-sub.md](cat-sub.md) |
| `sub.prose_vs_screen` | Prose Subtext vs Screen Subtext | [cat-sub.md](cat-sub.md) |
| `sub.retired_subtext` | The Retired Subtext | [cat-sub-2.md](cat-sub-2.md) |
| `sub.say_it_then_cut` | The Say-It-All Draft, Then Cut It | [cat-sub.md](cat-sub.md) |
| `sub.score_counterpoint` | Score and Song as the Other Voice | [cat-sub-2.md](cat-sub-2.md) |
| `sub.second_reading` | Subtext That Changes on the Second Pass | [cat-sub-2.md](cat-sub-2.md) |
| `sub.second_subject` | The Second Subject | [cat-sub.md](cat-sub.md) |
| `sub.shared_history` | Shared History as Generator | [cat-sub.md](cat-sub.md) |
| `sub.short_form` | Subtext in Under Sixty Seconds | [cat-sub-2.md](cat-sub-2.md) |
| `sub.silence_as_content` | Silence as Content | [cat-sub.md](cat-sub.md) |
| `sub.social_prohibition` | Social Prohibition as Generator | [cat-sub.md](cat-sub.md) |
| `sub.stretched_unsaid` | The Unsaid Thing Held Past Its Life | [cat-sub-2.md](cat-sub-2.md) |
| `sub.subtext_announced` | Subtext Named Aloud | [cat-sub.md](cat-sub.md) |
| `sub.subtext_vs_vagueness` | Subtext vs Vagueness | [cat-sub.md](cat-sub.md) |
| `sub.talk_to_avoid` | Talking to Avoid Talking | [cat-sub.md](cat-sub.md) |
| `sub.theme_rides` | Theme Rides on the Unsaid | [cat-sub-2.md](cat-sub-2.md) |
| `sub.three_conditions` | The Three Conditions | [cat-sub.md](cat-sub.md) |
| `sub.triangle_scene` | Playing It at the Third Person | [cat-sub-2.md](cat-sub-2.md) |
| `sub.voiceover_counterpoint` | Voiceover Against the Picture | [cat-sub-2.md](cat-sub-2.md) |
| `sub.vs_foreshadowing` | Subtext Is Not Foreshadowing | [cat-sub-2.md](cat-sub-2.md) |
| `sub.want_statement_gap` | The Want/Statement Gap | [cat-sub.md](cat-sub.md) |
| `sub.weather_does_the_feeling` | The Weather That Does the Feeling's Job | [cat-sub-2.md](cat-sub-2.md) |
| `sub.written_document` | The Written Document Inside the Story | [cat-sub-2.md](cat-sub-2.md) |